Continuing to revive and invent while paying close attention to proportion and detail interests me greatly. The potential for describing forms, faces, hands, appendages is limitless. Oil, acrylic, pastels, palette knives, tiny brushes - all of these tools interact with the paint in surprising ways. It is exciting to think of what can be done.
I had a chance to study with some fine people earlier this year; what a privilege !
An Alla Prima Hands course with Sandra Sanchez and a Contemporary Painting Methods course with Jonathan Aller offered and delivered guidance that allowed me to finally relax, experiment and produce a range of studies.
Male profile, portrait, oil painting (Bisquerra)
Hand Reaching Upward, oil painting (Bisquerra)
El Pescador Joven, The Young Fisherman, after Sorolla, pastel pencil (Bisquerra)
Study of hand with cane, oil painting (Bisquerra)
Still Life, acrylic, palette knife (Bisquerra)
Study of male hand, alla prima technique, oil paint (Bisquerra)
Seahorse, from diagram, acrylic marker sketch (Bisquerra)
Our Nanny, after DeCamp, oil paint, alla prima method (Bisquerra)
Hand peeling pomegranate, after Bouguereau, oil paint (Bisquerra)
Male, 3-4, oil, subtraction method, work-in-progress (Bisquerra)
The Elder Man, close-up, after Eduard Ballo, Czech, oil paint, alla prima method (Bisquerra)
A Bedouin, after Franz Javier, oil paint, alla prima method (Bisquerra)
A Bedouin, close-up, after Franz Javier, oil paint, alla prima method (Bisquerra)
The Elder Man, after Eduard Ballo, Czech, oil paint, alla prima method (Bisquerra)
Chinese Elder, Northern Province, from photo image, pastel pencil (Bisquerra)